Embroidery art with intricate stitching of thread and embellishments on fabric by Julia Shore. Image: Julia Shore
BY SEAN LEWYES
Embroidery art is an ancient and time-honored craft that has captivated hearts for centuries. This exquisite art form, characterized by the intricate stitching of thread and embellishments on fabric, has evolved over time and continues to inspire contemporary artists to push their boundaries. Among these exceptional artists is Julia Shore, a Californian embroidery and fiber artist. Her works are a stunning tribute to the natural world. By utilizing a diverse range of materials such as hand-dyed velvet, wool, felt, sequins, beads, and preserved moss, the artist crafts botanical embroideries that transport viewers to the captivating textures and colors of the forest floor.
Julia Shore’s artistic journey is a celebration of her deep connection with nature. Her extraordinary talent lies not only in her impeccable embroidery skills but also in her ability to infuse her creations with the essence of the natural world. Through her art, Shore aspires to evoke a sense of tranquility and peace, inviting viewers to reconnect with nature and themselves. She said:
“My personal mission is to bring more love and compassion to the world. I believe that beauty has the power to fill your heart with love. And a loving heart makes the world around beautiful. Everything is interconnected. We all are interconnected.”
Regarding her art, Shore was clear. “My mission as an artist is to bring a sense of peace and calm into your life. Through my art, I hope to inspire a deeper connection with Nature and with yourself within you.” Over time, the artist has created various collections to help her actualize her creativity.

One of Julia Shore’s exceptional collections is the “Mossy Dreamworld Collection,” a captivating array of 3D embroidery art. In this collection, Shore skillfully combines hand-dyed silk velvets, preserved moss, Czech and Japanese glass beads, and various fibers to create breathtaking pieces. Each artwork within this collection takes viewers on a journey into an enchanting dream world, where the beauty of nature is magnified through the artist’s skillful hands.
Julia Shore’s creativity extends beyond traditional embroidery art. Her wearable collection features delicate, hand-made clay beads and intricate textures in each tiny piece. These wearable art treasures enable art enthusiasts to carry a piece of the natural world with them, forging a constant connection with nature in their daily lives.
The “Meditative Mossy Sculptures Collection” is a testimony to the calming power of art. With calming colors and intricate textures crafted from wool and cotton fibers, these pieces can serve as the perfect tools to initiate a meditative practice. By immersing oneself in the detailed features of these sculptures, one can find solace and tranquility in the midst of life’s hustle.
For those seeking custom art in Julia Shore’s signature style, the “Mossy Heart” is a piece to behold. This unique creation embodies the essence of love and nature. She combines hand-dyed velvet, wool, wool felt, Czech and Japanese glass beads, and preserved moss in a heartwarming artwork.
The “Mossy Landscapes Collection” pays homage to the living world. Julia Shore artfully integrates preserved moss, beads, wool, silk cocoons, cotton rope, and yarn to create artworks that mirror the beauty and wonder of natural landscapes. These pieces invite viewers to immerse themselves in the serenity of nature’s abundant bounty.
The collection showcases Shore’s creativity in creating large fiber art pieces using punch needles and an array of yarn. With every piece, she enthralls the audience with volume, different textures, and fibers. She utilizes hand-dyed silk velvet, Australian wool, Czech, and Japanese glass beads to bring her vision to life.
The “Soft Sculpture Collection” is a symphony of textures and fibers. The artists crafts each piece with precision. She combines beads, silk, and other carefully selected materials to produce art that is both tactile and visually enchanting.
In this collection, Julia Shore delves deep into the intricacies of moss and its soothing nature. With hand-dyed velvet, wool, wool felt, Czech and Japanese glass beads, and integrated preserved moss, she brings to life embroidery art that echoes the wonder of the natural world.
The “Fragile Flowers Collection” pays homage to the delicate beauty of flowers. By integrating preserved flowers and plants into her embroidery, Julia Shore captures the ephemeral essence of nature, immortalizing its fragile grace in exquisite artworks.
The “Floating Embroidery Collection” showcases the ethereal magic of embroidery on tulle. Julia Shore’s masterful strokes on this delicate fabric create artworks that seem to defy gravity, exuding lightness and elegance.
Inspired by her trip to Joshua Tree National Park, Julia Shore’s “Embroidery on Paper Collection” is a captivating blend of mixed media embroidery art. Using handmade cotton paper, hand-dyed silk velvet and crinkled silk, DMC golden embroidery floss, Japanese glass beads, and French sequins, she weaves stories of nature’s grandeur and charm.
Julia Shore’s embroidery art is a testament to the profound connection between humans and nature. Through her creative genius, she crafts artworks that inspire viewers to reconnect with the beauty and serenity of the natural world. Each collection is a journey into a realm of enchantment. They invite us to slow down, appreciate the wonders around us, and find solace amidst the chaos of modern life. You can see more of her work on her website and on Instagram.
Lost, a digital illustration featuring a deer and hare standing on a sand dome disillusioned by Dรกniel Taylor. This is one of the works in a new global warming digital art project featuring animals by the artist.
BY SEAN LEWYES
BUDAPEST, HUNGARY– In the past few years, the issues of climate change and global warming have become front and center around the globe. Monstrous wildfires, hurricanes, and flooding are engendering great fear about the future of the earth. Will the world end soon?
The fear is that if nothing is done soon to curb the long-term heating of Earth’s climate systems and other human activities destroying the environment, the end may be near. As a result, everyone is doing what they can to bring attention to the consequences of climate change and global warming. One of them is Dรกniel Taylor. Taylor’s recent global warming digital art project features different types of animals suffering the consequences of climate change.
A digital artist and illustrator, Taylor uses realism, and in some instances, surrealism, to educate us on the future consequences of inaction. Each picture in his new global warming digital art project tells a story. The effect of global warming is everywhere. In The Wanderer, for instance, Dรกniel Taylor depicts a humongous bear-like creature wandering through a forest of pine trees. On its back are seven pine trees โ three in front and four at the back. Sitting among the trees, in front of a fire, is a lone figure. There is a sense of looming doom. Adding to the rather surreal atmosphere are the vultures hovering above.
The Wanderer presents what seems to be a story about the dying environment. The bear, the man, and the hovering vultures above create an atmosphere of gloom. However, in that despair resides great beauty. The tonal gradation and the subtle use of grays enhance the mood of the illustration, elevating its aesthetic pleasure and subliminality.

In Polar Bear, another of the works in the global warming graphic project, Taylor heightens his outcry about the consequences of climate change on the environment. In the illustration, a Polar Bear stands on what is left of the Arctic ice. Taylor takes us under the water to show us that there is little ice left. The Polar Bear looks up at the blazing sun as if asking, “what happened?” Clearly, this is the effect of global warming. For Polar bears to survive, they must adapt. Better still, humans must stop destroying the environment.
Dรกniel Taylor’s new global warming digital art project about the environment explores the images of animal artworks to show the illustrator’s deep understanding of global warming and climate change. Using the brilliant white round sun as a symbol of impending doom, he brings attention to what will happen to man and animals if nothing is done now to protect the environment. Although there is a playfulness to his recent illustrations, they all address serious matters.
Dรกniel Taylor is a storyteller, and he tells his stories through illustrations, graphic designs, and art directions. Based in Budapest, Hungary, Taylor is an outstanding illustrator who can navigate any artistic style to tell pertinent stories. His love for art started at a young age. Following a creative upbringing, Taylor discovered Photoshop and digital drawing at the age of 14 and decided to become an artist. He has been a full-time artist since 2015.
Surrealism is at the core of Dรกniel Taylor’s artistic practice. He “enjoys the challenge of establishing its presence even as he varies his technique and approach.” While the illustrator enjoys working in black and white, many of his creations are colorful and vibrant. He finds inspiration in old comics and art books, especially those in the genre of science fiction and modern digital illustrators. Taylor’s clients include Disney, Marvel, Adobe, Mondo, New Scientist, Outside Magazine, and others.
You can see more digital art by Dรกniel Taylor on Behance and Instagram


Abandoned Vehicles: The Dutch Fine Art Photographer Jan shows the impact of age and the power of Mother Nature on cars and trucks abandoned in junkyards.

BY SEAN LEWYES
Amsterdam, The Netherlands โThe Dutch photographer Jan Stel has a fascination for accentuating the glory of the past. His photographs detail derelict objects and places that were once the glory of their owners. One of his well-known photography projects examines what happens to abandoned vehicles in the woods. The photographs are a reminder of the passage of time and its consequences.
Many of the vehicles in Janโs photographs were once treasures to their owners. One can imagine the owners driving their new cars through the street, waving at friends and family. However, over the years, these cars lost their glare because of usage and broken parts. Some have no tires, and others have broken apart with bits and pieces everywhere. Windows and windshields have also succumbed to the pressure of time and vandals.

The once smooth-running engines have been decimated by thieves who took pride in stripping them of their glorious past. In this graveyard, dilapidated vehicles are totems of the past. Abandoned in the junkyards and forests, these vehicles now have new lives. They serve as homes for rodents, insects, and plants that continue to struggle with what is left of their auto lives.
Despite the rundown nature of these abandoned vehicles, the beauty of their glorious past glared through the accumulated dirt and rust that enriched them with ageless patina. One of the photographs shows the dashboard of a luxurious car overtaken by spider webs. Another dashboard shows the magnificent past of a deluxe car with its beautiful red seats. Although the car has been in the woods for years, the red seats still show the brilliance of the past that captivated its owner. It is easy to imagine that the owner had a lot of fun driving around in this car. Even in its derelict state, the car still conveys its alluring essence.
The junkyard and forests where Jan went to take his photographs are a graveyard for cars. Everywhere in the junkyard are vehicles that have been overtaken by trees and straggled by time: trucks, luxury cars, classic cars, and cars that were the fastest in the world in their heyday. Many of these cars have fallen into bits and pieces while others have become one with nature. Trees grow, penetrating each part and tearing them apart with exceptional ease. That is the power of nature.

Jan Stelโs photographs tell stories about these autos that were once elegant but have fallen into disrepute due to age and time. Done in black and white and color photographs, Jan Stelโs photographs reveal the impact of the passage of time on all. One of the photographs has an abandoned Red Cross truck or military ambulance. In its primes, this truck was a transport for people with injuries. However, in this photograph, it is a relic of the past. After many years of stagnation, the truck has been overtaken by weeds, trees, and rodents. Branches reach out from the windows as if trying to touch the sky.
Jan Selโs fascination with documenting places and things that have lost their glory and succumbed to the aftermath of time began about two decades ago. Since that time, he has traveled across the Netherlands and Europe, visiting unknown sites. The series on abandoned vehicles is just one of his many projects. A creative fine art photographer, Jan Selโs photographs create his images using pure and natural light. He does not use flashlights or studio lamps. Therefore, his authentic working process takes time, patience, sensitivity, and excellent timing.
Born in 1970 in Purmerend, the Netherlands, Jan Stel taught himself photography. In his youth, he loved art and went about the suburbs of Amsterdam creating graffiti murals. At home, he made detailed drawings and realistic illustrations. The discovery of his fatherโs analog photo gear sparked his interest in photography and inspired him to develop his creative style.
Since that discovery, Jan has been creating exceptional fine art photographs that have been in museum and gallery exhibitions across the globe. In addition, his photographs have been published in The Daily Mail, De Volkskrant, NRC Handelsblad, De Telegraaf, and many websites and blogs. Jan has won several important awards like the Sony World Photography Awards, International Color Awards, and the Epson Pano Awards. His work is part of many private and corporate collections. You can see more of Jan Stel’s projects and photographs on Behance.



Sofia Bonati’s Enigmatic portraits of women are mysterious and arresting. Most of her works blend women, nature, intricate patterns, and the female gaze to accentuate strength, poise, and vulnerability.

UNITED KINGDOM-Sofia Bonati’s love for art began at a very young age. Watching her parents who were artists sparked her interest in art. However, that interest was not enough to make her study art in college. She studied geology because of her love of nature. Ironically, the more Bonati tried to shake the art bug, the more she is trapped in the unbreakable web of creativity. Unable to shake the intense desire for art, she went back to drawing and painting.
Bonati took up art and started an artistic career soon after moving to the United Kingdom in 2013. In the beginning, she struggled with how to channel her thoughts, ideas, and composition. Perhaps, the greatest challenge was how to implement different art techniques. Determined, she did not allow those challenges to dissuade her from educating herself about her artistic endeavors. Meeting other artists was a major source of inspiration for her to keep going.
A self-taught artist, Bonati’s style has evolved over the years with a laser-like focus on portraiture. Although she enjoys nature and the outdoors, it was drawing people that captivated her. In the early part of her career, Bonati painted men and women. Eventually, she settled for painting portraits of women. Why? Even Sofia Bonati does not know why she focused on women except that the painted portraits of women help her effectively communicate her thoughts and ideas.
Sofia Bonati works in different mediums, including pencils, watercolor, ink, gouache, and makers. She finds inspiration in everything around her, including fashion, textiles, nature, and street shops. These elements are integral to her compositions. They are effectively combined with the images of women to communicate thoughts and ideas hidden from the viewer. While some feelings are mysterious, others are surreal.
Many of the women in Bonati’s paintings come from her imagination. Sometimes, she uses her own face or a reference photograph to create her paintings. Bonati’s portraits are almost photo-realistic. Conceivably, her major attraction to painting the portraits of women is the subtle complexities of their expressions: happiness, fear, sadness, surprise, contempt, anger, and disgust. Nevertheless, the expression that dominates Bonati’s works is the female gaze. In many of her painted portraits of women, Bonati uses the female gaze to communicate strength, poise, and vulnerability.
Sofia Bonati’s enigmatic portraits of women are mysterious and arresting.
Melancholy is a major theme in many of Bonati’s portraits of women. Mixing pencil, acrylics, and ink on paper, she creates portraits of women who seem to be going through tough times. With running mascara and blush, the viewer is compelled to imagine the story behind the melancholic visages of the women. Sasha is one of the several portraits by the artist that shows susceptibility in women. The portrait depicts a melancholic woman with her blush running down her face, perhaps after crying.
Sofia Bonati’s enigmatic portraits of women are mysterious and arresting. Most of her works blend women, nature, and intricate patterns. In some portraits, she inserts images of women into backgrounds of dizzying black-and-white stripes motifs that consume them, hiding the boundaries of their hair and clothing. These motifs are sometimes dense flowers that eradicate the distinction between the subject and background. In some instances, the images of the women are superimposed on different motifs, giving them power over their environment.
Some of Bonati’s portraits of women situate her subject on the threshold of fantasy and realism. In these portraits, she includes fantastical elements like butterfly hats, cloud headgears, and snakes among many others. Anais, one of her portraits from the Butterfly Girls series shows a girl wearing a monarch butterfly hat. Sometimes the women’s portraits include animals like cats, birds, piglets, chickens, and peacocks.
Whichever approach she takes, Bonati’s enigmatic portraits of women carefully capture the character of the women represented. They echo the power and personality of the figure represented. The only constant in all the portraits is the female gaze: it lures viewers into the beauty of the paintings before opening up the message within. By following the gaze, the viewer is forced to become a part of the artwork.
Bonati’s painted portraits of women are compelling and revealing. The female gaze and the expression of the women tell stories of women who sometimes look cool, serene, or hypnotized. In some instances, it is as if the women had too much makeup on. They reveal the intricacy of the female mind and women in society.
Women portrait painting has brought recognition for Sofia Bonati in the art world. Some of her projects are in series. Several of her well-known series include Girls with Animals, A-maze-ing Girls, and Butterfly Girls. In each series, her painted portraits of women’s faces tell stories about the subject in a way that engenders emotional responses from viewers.
Gustav Klimt and Egon Schiele are major influences for Bonati who find inspiration in their treatment of the human form and designs in their artworks. The British textile designer and novelist William Morris, whose floral patterns adorn many textiles, also inspires her. Some of her artworks are reminiscent of the self-portraits of Frida Kahlo.
Although Banati taught herself art, she has been successful both as a painter and illustrator. She has worked on many commissions for prestigious publications including Iberia Excelente Magazine and Vanity Fair. Bonati’s paintings have featured in several exhibitions. In 2017, her work was part of the Late Summer Exhibit at the Sager Braudis Gallery in Columbia, MO. Her paintings were also part of the Public Order Art Show curated by Society6.
Several years ago, Sofia Bonati’s works were animated by the glitch artist Chris McDaniel. You can see more of Bonati’s on Behance, Instagram, and Facebook. Prints of her works can are available on Society6.
Image Above: Sofia Bonati, Esta vez es personal is one of the enigmatic portraits of women by the artist getting attention from art lovers. It was commissioned by the Iberia Excelente Magazine in 2015.




Audience 2023, one of the intimate portraits by visionary photographer Joram Krol. Photo: Artist/Groninger Museum
BY SEAN LEYWES

Joram Krol, a visionary photographer hailing from Groningen, Netherlands, has carved a niche for himself in the area of black-and-white portraiture. His distinct style, characterized by confrontational yet deeply personal portraits, encapsulates the essence of his subjects and the spirit of his hometown. In his latest exhibition Can I Be Me, Krol presents a collection of 116 captivating and intimate portraits that offer a glimpse into his intriguing world.
Can I Be Me serves as a testament to Krol’s artistic prowess and unwavering dedication to his craft. Hosted at the esteemed Groninger Museum, this showcase offers visitors a rare opportunity to immerse themselves in the photographer’s evocative world of portraiture. Featuring meticulously curated photographs, the exhibition invites viewers to explore the depths of human emotion and identity. From intimate close-ups to striking full-body shots, each portrait encapsulates a unique narrative. They invite viewers to ponder the complexities of the human experience.
Krol’s journey as a photographer commenced nearly a decade ago when he first laid hands on a camera. Since then, he has honed his craft, meticulously crafting a signature style that sets him apart in the industry. What distinguishes Krol’s approach is his ability to immerse himself in the lives of his subjects. He captures raw and unfiltered emotions with unparalleled authenticity.
Unlike traditional photographers, Krol eschews meticulous planning, opting instead to embrace spontaneity and freedom in his work. Whether he’s photographing locals in Groningen or collaborating on commissioned projects, Krol infuses each image with a piece of his soul. The result is a body of work that resonates deeply with viewers.
This exhibition is an opportunity to experience firsthand the masterful artistry of Joram Krol as he navigates the delicate interplay between light, shadow, and emotion. The intimate portraits highlight the photographer’s personal connection and help viewers discover the profound intimacy of Krol’s portraits. Each one is a testament to the deep connection forged between artist and subject.
Above all else, Krol’s portraits reveal a deep cultural exploration of Groningen. He shares this cultural experience by allowing visitors to gain insight into the vibrant culture and rich tapestry of life in Groningen, as seen through the eyes of one of its most celebrated photographers.
In a world saturated with imagery, Joram Krol stands out as a beacon of authenticity and creativity. Through his confrontational yet deeply empathetic approach to portraiture, Krol invites viewers to see beyond the surface and delve into the intricacies of the human soul. Don’t miss your chance to experience the transformative power of Krol’s photography at the Can I Be Me exhibition, now showing at the Groninger Museum.

In a world saturated with imagery, Joram Krol stands out as a beacon of authenticity and creativity.


Puppet Making at Furry Puppet Studio. All images coutersy of the Studio
BY KAZEEM ADELEKE
NEW YORK, NY,-In the heart of Brooklyn, amidst the bustling artistic scene, lies a vibrant studio that is redefining the art of puppetry. Furry Puppet Studio, founded by the visionary Zack Buchman, is a testament to creativity, innovation, and a deep-seated passion for storytelling through puppetry. The Studio is a tapestry of imagination, inspiration, and sheer artistic brilliance that has captured the hearts of audiences worldwide.
Buchman’s journey to becoming the creative director of Furry Puppet Studio is as unconventional as it is inspiring. Without a formal college education, his outsider perspective has imbued his work with a unique and refreshing outlook. This unconventional approach is evident in the diverse range of projects undertaken by Studio. From TV shows to music videos featuring celebrities like Jon Hamm and Michelle Obama, the studio continues to innovate.
At the core of Furry Puppet Studio’s success is the belief in the power of character design. Inspired by the pixelated computer games of his youth and Jim Henson’s early work, Buchman has created a studio that thrives on simplicity and creativity. One of the most iconic and well-known creations from the Studio is Grumpy Cat. Her unmistakable frown and judgmental stare have become symbols of internet culture. She is an inspiration for countless memes, capturing the imagination of millions. In the hands of Buchman and his team, Grumpy Cat has been transformed into a puppet, her iconic expression preserved in all its glory.
Grumpy Cat is just one of the adorable characters from the studio making great impact on audiences. The puppets from Furry Puppet Studio are a delightful blend of vibrancy and beauty. They come in a plethora of colors, ranging from the bright and strikingโlike red, yellow, orange, and magentaโto the cool and soothingโsuch as blue, green, purple, and brown. Their visual appeal is further enhanced by the endless variety of shapes and forms these puppets take, making each one a unique work of art in its own right.
Despite the diverse range of colors and shapes, each puppet from Furry Puppet Studio possesses distinctive characteristics that set it apart from the others. This individuality adds to the charm and allure of these puppets, making them stand out in any collection.
One standout character from Studio is the Fisherman Puppet. He is depicted wearing a yellow raincoat synonymous with fishermen. With his white beard and hair, this puppet exudes a sense of rugged charm. His piercing gaze, accentuated by a bushy brow, speaks volumes about his life experiences, especially his years spent at sea catching fish. The fisherman’s bulbous nose and warped mouth are not just signs of age but also of resilience and determination. The posture of the fisherman, gazing into the distance, reflects his dedication to his trade and adds depth to his character.

Another captivating puppet is Desus Nice. At first glance, the puppet appears to be a teacher. He is dressed in a green shirt and a red hat. Desus Nice also has a well-trimmed beard, which adds to his charm. His captivating eyes and warm smile make him a sought-after puppet in any collection. With a personality that shines through in every performance, he is a catch for the female puppets. Luckily, there are female puppets with exceptional beauty in this collection. The studio boasts a diverse cast of characters, including many beautiful female puppets, each a masterpiece crafted with care and attention to detail by the talented team at the studio.
His captivating eyes and warm smile make him a sought-after puppet in any collection.

What sets puppetry apart as an art form, according to Buchman, is its ability to forge emotional connections with audiences. He notes that, unlike other mediums, puppets have a unique way of engaging with viewers, creating lasting bonds and meaningful interactions. This emotional resonance, he stated, is at the heart of Furry Puppet Studio’s work, which helps elevate puppetry to a whole new level of artistry.

Behind every successful puppet is a team of talented individuals, and Furry Puppet Studio is no exception. The creative process at the Studio is a collaborative effort. With each member of the team contributing their unique talents, they bring Buchman’s vision to life. From childhood friends to master puppet builders, Buchman works with a team that is as diverse as it is innovative. Using cutting-edge technology like 3D printers, new technologies, and their own custom fabric, the team pushes the boundaries of what is possible in puppetry.
The dynamic team at Furry Puppet Studio includes Yaron Farkash, Buchmanโs childhood friend and creative partner. There is also Maria Gurevich, the master puppet-builder from Moscow. Tom Newby, a mechanical engineer, and Poly Smith, a legendary costume designer. With such talent and creativity at play, Furry Puppet Studio continues to redefine puppetry. Buchman, on his part, remains focused on the future. While honoring the achievements of the past, he continues to explore innovate ways to create puppets.
Furry Puppet Studio is not just a studio; it is a testament to the power of creativity, innovation, and passion. Under the visionary leadership of Zack Buchman, the Studio has become a beacon of artistic excellence. It continues to captivate audiences with its imaginative creations and emotional depth. As we look to the future, one thing is clear: the magic of puppetry is alive and well at the Studio.

One of Alex Konahin’s intricate insect drawings
BY SEAN LEYWES

RIGA, LATVIA- People react to insects in different ways. While some are repelled, others are quick to get the swatter. There are, however, those who see insects as beautiful creatures. Alex Konahin, a self-taught graphic artist living and working in Riga, Latvia, is one of them. His insect drawings are vivid and elaborate.
For several years, Konahin has devoted himself to drawing insects. From winged insects to crawling ones, Konahin has drawn them all. Using pencils and pens, he has created exceptional drawings that have left many people in awe. Alex Konahin’s incredibly intricate Renaissance-style insect drawings are vivid and elaborate.
His Little Wings series is perhaps the best-known of his detailed insect drawings. The series includes Butterfly, Dragonfly, Bee, and Ladybug. Alex Konahin does not slavishly copy nature: His delicate insect pen drawings reveal their beauty with each line. Each drawing is made of different layers of lines, shapes, and floral designs. In the end, they look like jewelry. They are ornate and beautiful.
After years of drawing insects, Alex Konahin announced last month that he has decided to stop drawing insects. He explained why he has to move on to other things:
‘It’s easy to notice, that a lot of my drawings are devoted to one theme – insects (including winged ones). I feel it’s time to explore many other exciting themes and take a break from these small creatures.’
As he wraps up his insect drawings, Konahin presents his last insect drawings of a ladybug and a mosquito to his fans. In his last comment, he was thankful:
Ladybug (in my language it literally sounds like God’s little cow) for me is a symbol of everything I have learned and achieved in the past few years thanks to my insect pieces. It was indeed a very positive experience. One more piece is a mosquito and it symbolizes the loss of creative energy I experience working within this theme. So it’s time to move forward!
Here are some of the amazing and intricate insect drawings by Konahin. You can see more of his portfolio on Behance and his websites. By the way, you can buy his coloring book, which is part of his anti-stress series. The main idea behind the book was to present insect-like pieces of jewelry. You can also support the artist by going to Patreon.






Niki Colemont, a wildlife Photographer Finds Peace photographing red squirrels like this daredevil squirrel in flight
Squirrels are perhaps some of the most dramatic creatures you can see around. They can fly, jump, climb, and tease you too. Yes, they are also very mischievous and unpredictable. Those nuanced characteristics captivated wildlife photographer Niki Colemont.
Colemont is a 34-year-old wildlife photographer based in Belgium. He lives in a village called Diepenbeek. Colemont started photographing red squirrels about 5 years ago. While visiting his girlfriend’s grandmother, saw a bird diligently feeding and caring for its chicks. He was intrigued by the devotion of the mother bird’s action. Then, a light bulb went off. He wondered what it would be like to photograph and document suck wildlife experience. That opened the door to a whole new experience of adventure in the wild.
When Colemont turned 30, he bought himself a sigma 150 to 600mm telelens. He also bought a stealth gear square hide tent to help him get closer to wild animals. “Buying these things was my big dream,” he said. Armed with all his camera and gears, the young wildlife photographer made his way into the woods.
One of Colemont’s favorite subjects to photograph is squirrels. Many of the squirrels in his photographers live in his girlfriend’s grandmother’s gardens, while others are from different locations he visits to take pictures.
Colemont is a self-taught photographer. He acquired his knowledge through trial and error. Although not a formally trained photographer, his photography skills are outstanding. This is evident in his many photographs of red squirrels.
Colemont’s photographs brilliantly capture the red squirrels in their most dramatic and intimate moments. In one photo, he captures a squirrel flying through space with an acorn in its mouth. With ears raised and paws wide open, the squirrel appears to be saying, “I am out of here.”

The impressive daredevil-like nature of the red squirrels is revealed in another picture where a red squirrel in flight tries to catch a tree branch that seems too far to reach. This is obviously a desperate attempt by this intrepid squirrel to impress a female. Like many guys trying to impress a girl, he seems to have bitten off more than he could chew. Fear is visible in his bulging eyes. Will he make it? With its bushy tail and body tilted outward, the squirrel’s aerodynamic performance seems to suggest that he made it.
Colemont’s recent photographs of red squirrels show their flamboyance, courage, and acrobatic nature. Many are captured flying through the air carrying acorns in their mouth while others dash through the grass as if chasing their own shadows. But not all the squirrels in Colemont’s photographs are restless, agile, and acrobatic. Some are just outright mischievous and self-absorbing.
His series on squirrels looking in water as if looking in a mirror shows that squirrels, like humans, have a fascination for their own looks. In one photograph, a squirrel looks over a tree trunk it is standing on to admire its own reflection. There is an intense curiosity on its face as if asking, “Is that another squirrel or me?” Another picture features a squirrel hanging upside from a tree branch to look at itself in the water. This is one picture in the series with an emphasis on dramatic curiosity.

Colemont’s pictures of squirrels provide enough proof that squirrels are extravagant. The picture of a squirrel standing on the edge of a pond looking at itself in the water is bewitching. In its model-like pose, the showboat squirrel appears to be saying “looking good.” Its beautiful bushy tail and clean fur are clearly reasons to be sassy.
Like many of the squirrels in his photographs, Colemont is a cheerful, lively, and jolly good fellow. He appears a happy young man in many of his personal photographs across the web. His Instagram profile photo, for instance, shows him smiling. There is also that hilarious picture of a squirrel jumping over his head. Even Colemont cannot stop laughing at the rather bold squirrel. It is also easy to conclude that Colemont is a side-splitting fellow. His photographs of squirrels taken in environments he staged for photographing say a lot about the photographer himself. It is amusing to see squirrels interacting with various objects. While some are kissing flowers, others are stealing peanuts, eating Nutella, or fussing with plastic dinosaurs. There is even one carrying a syringe. “Vaccine anyone,” it seems to say.
However, joyful as Colemont may appear, he carries within him a deep scare of a traumatic past. Deep within, this young wildlife photographer has gone through some trying times that would break even the strongest of men.
Niki Colemont was born in Rwanda in 1986. Four years after his birth, Rwanda descended into the bloodiest civil war that later led to a genocide. The Rwandan Genocide took the lives of over 700,000 people, including Colemont’s father. The catastrophe of the Rwandan Genocide is well-documented by journalists, and it inspired Hotel Rwanda.
Colemont began experiencing trauma at a very young age. His mother died giving birth to him. After the death of his father, Colemont’s aunt began taking care of him and his sister. At the height of the civil war, 4-year-old Colemont and his 9-year-old-sister were taken to an orphanage by their aunt for adoption. Eventually, they made it to Belgium as refugees. For many years, the two were happy in their new home. Sadly, Colemont’s sister died in 2019. She was just 38 years old. Her death rekindled past trauma and grief in Colemont. His sister’s death was like losing an important piece of himself. Although he continues to miss his sisters, he tries to find solace in photography.

Beyond Colemont’s love of photography, he also finds peace photographing squirrels. At his young age, the wildlife photographer has experienced trauma in a way many people have not. Nonetheless, he continues to find bright spots in life. It is fitting that photographing the joyful red squirrels would be therapeutic.
You can see more of Niki Colemont’s photographs on Instagram and Facebook


RUSSIAโ When Russian artist and theater critic Masha Ivashintsova died in 2000, her daughter Asya Ivashintsova-Melkumyan began looking through her things. That was when she got the shocker of a life. In the attic, she found a vast collection of negatives of photographs her mother had taken throughout her lifetime. Asya was shocked not just by the discovery of the vast collection of negatives but also by the fact that the photographs had never been shown to a soul.
In addition to the discovery, the question Asya had to find answers to was why her mother never showed her work to a single soul. The answer to this pertinent question was in her motherโs diary. Masha Ivashintsova’s diary provides an answer for her hidden artistic life: โI loved without memory: is that not an epigraph to the book, which does not exist? I never had a memory for myself but always for others.โ
The devotion to others over self dictated Mashaโs career. She lived the secret life as a photographer. Throughout her life, Masha Ivashintsova was part of the underground poetry and photography movement in Leningrad (now Saint Petersburg). She took over 30,000 photographs, wrote poems, and did other forms of writing. Strangely enough, she kept all her work a secret. Many of Masha’s photographs provide an insight into her world while also allowing a glimpse of everyday life in Leningrad from 1960 to 1999.
The images from the vast collection of negatives found in the attic reveal Mashaโs brilliance as a street photographer. Many of the photographs capture their subjects at their most vulnerable moments. Above all, they tell the story of a period when there was abject poverty, deprivation, and death.

One of the images from the treasure trove is the photograph of a bearded man wearing a pair of circle-rimmed glasses. The black and white portrait is that of Melvar Melkumyan, Masha’s husband and father of Asya. Taken in 1983, the picture presents Melvar as a man of mystery. All that is visible in this photograph is the right side of his head daintily illuminated by a ray of light. The gray hair, a crusty forehead, and a pair of glasses held in place by a bulbous nose are all one can see.
Every other part of the photograph is dark, emphasizing a contrast of light and dark. Masha’s exploration of the chiaroscuro technique in this photograph is not just for artistic license but also a way to capture her husband and their turbulent relationship. This approach is very clear in an entry in her diary. She wrote of her husband:
Melvar is an unknown, unattainable, untouchable teacher. At the time, he had this love in him and a desire to wrest me from the abomination of Saint Petersburg, from this swamp of a city. He tortured me with his will, locked me up, and tried to break me with his words. I hated him. But due to my inner helplessness, I could not take a step without him. And, having run away, having been out, I again returned to my “tormentor-teacher.” Then again, I was leaving him as a clean, sinless virgin. He himself bore my sins.
Some of the photographs in this collection are of Masha’s friends, photographers, poets, and former lovers. Her lovers included photographer Boris Smelov, poet Viktor Krivulin, and linguist Melvar Melkumyan. Boris Smelov perhaps made an impeccable impact on Masha Ivashintsova. Boris and Masha met on the train from Moscow to Leningrad in 1974, and they fell in love. That chance meeting changed Masha’s plan, which was to move back to Moscow to reunite with her husband and daughter after several years of bitter separation. Sadly, the relationship between Boris and Masha did not last, and they went their different ways.

After many years of not seeing each other, Boris and Masha met again in 1993 on the street. It was during this encounter that Masha took a portrait picture of Boris. The portrait is that of a well-dressed, calm-looking Boris. He has bushy hair, and on his face is a pair of round glasses that make him look like a member of the Beatles. In his hand is a cigarette. He looks at peace. Five years after the photograph was taken, Boris was found dead on the street. Masha was devastated. She wrote in her diary of his death:
Borya Smelov died. He died on the street, not so far from our house. He froze to death outside. He died. The love is gone. Today, we had a funeral next to the Church of Smolensky cemetery. Many people came […]. I kissed Borya’s lifeless forehead. I prayed together with Vitya Krivulin. I held a candle, I held flowers, and I threw a handful of soil onto his coffin. At home, after talking to Asya, I cried so much. What a terrible, bitter loss.
In addition to many of the photographs of her lovers and friends, Masha also took photographs of everyday people. Many of these photographs were from her trips around Russia. Two Sisters is the photograph of two girls wearing what looks like their Sunday best. The photograph is a classic example of Masha’s outstanding ability to capture expressions and also reveal emotions. Sitting on what looks like a bench, the two girls gaze at the camera in a way that exposes their innermost thoughts. On the face of one of the girls is the expression that calls into question why they are taking the photograph.

Masha Ivashintsova took several photographs of her daughter, Asya. Perhaps one of the most interesting of the photographs is that of Asya with her father, Melvar Melkumyan. Taken in 1976 in Moscow, the photograph shows the deep affection between father and daughter. In the photograph, Melvar rests his back on a tree while little Asya pulls at his beard. With his large eyeballs wide open, Melvar gazes at the camera and his wife, who is holding the camera. Asya’s gaze is a total contrast to that of her father: it is soft and affectionate. Although Masha took the photograph at a point of conflict between her and Melvar, there is a display of affection and familyhood.
Looking through some of her photographs already on display, there is no doubt that Ivashintsova was a brilliant photographer with an outstanding ability to tell stories with her works. Each picture carries a story, not just the one told by the photographer herself, but also by those viewing her work. In this way, Masha Ivashintsova can be described as a genius. Her daughter agrees: โI see my mother as a genius, but she never saw herself as oneโand never let anybody else see her for what she really was.โ
Since the discovery of the negatives, some people have been drawing a similarity between Masha Ivashintsova and Vivian Maier, the American photographer and caregiver whose extensive collection of negatives was discovered in Chicago after her death in 2009. Although some of Ivashintsova’s negatives have been developed, members of her family and other interested parties are working ceaselessly to scan all of Ivashintsovaโs lifeโs work. You can see more of Ivashintsovaโs recently discovered images on this website. You can also see more on Instagram, specifically created to share her legacy.



Dino by Wool Artist Nastasya Shulyak. Image courtesy of the artist
BY SEAN LEYWES
Nastasya Shulyak, an artist fueled by a passion for wool, has ingeniously spread joy through her whimsical creations. Her charming woolen creatures, crafted with love and meticulous attention to detail, have not only captured but also captivated hearts globally.
Immersed in the techniques of dry and wet felting since 2010, Shulyak’s journey into wool artistry began serendipitously with a gift of colored wool from friends for the New Year. This unexpected turn of events led to two pivotal moments that solidified her artistic path: the incredible suppleness of wool and the sheer joy sparked in the eyes of her customers.
Having been based in Moscow where she taught people how to create toys and sell them on social media, Shulyak recently moved to Georgia. That move sparked a brilliant creative spark. This transition brought a new dimension to her artistic journey. The absence of harsh winters, coupled with the abundance of inspiring flora, fueled her creativity. Bizarre plants at every turn become a wellspring of inspiration, contributing to the birth of new and delightful woolen creations.
Moreover, the local environment, with its diverse geography, played a crucial role in shaping Shulyak’s artistic vision. The mountains, the minerals beneath her feet, and the serene southern coast of the Black Sea became integral elements influencing her creative process.
Amidst the beauty of her new surroundings, wool artist Nastasya Shulyak birthed her first creature, affectionately named Pebbles. Daily rituals, including morning beach visits, fueled her inspiration. Sorting through stones along the shore also became a meditative practice that led to the emergence of more enchanting characters.

Shulyak’s woolen creatures exude a sense of contentment, each adorned with a warm, friendly smile. Fibrous leaves, flower buds, fungi, and stones sprout from their heads, adding a touch of whimsy to their appearance. These creatures, with their small arms placed politely on their laps, invite observers into a world of joy and imagination.
While Shulyak typically works with laconic forms that often venture into complex textures and shapes, her creations demand diligence and meticulousness. Dry felting, a labor-intensive technique that demands precision, becomes even more demanding when adding character. The detail in each of Shulyak’s pieces sheds light on the meticulous effort invested in her creation. They emphasize the painstaking work behind them.
Before adopting the title of wool artist, Shulyak pursued a career as a theater artist and educator at the very art school where she once studied. Her life has consistently been intertwined with art and craft in various forms. She creates a rich tapestry of experiences that informs her current endeavors.
Exploring Nastasya Shulyak’s artistic world, one cannot help but marvel at the joy infused into every fiber of her creations. Every piece tells a story of connection, inspiration, and joy.
From the initial inspiration from Georgia’s landscapes to the evolving complexity of her artistic style, Shulyak’s work is a testament to the transformative power of art. As she continues to push the boundaries of her art, the complex textures and shapes of her creations will continue to be a major attraction in the coming months.

For those intrigued by the magic spun from wool by Nastasya Shulyak, her artistic evolution, and the delightful characters, she brings to life are on display on her Instagram page and store.
LOS ANGELES, CALIFORNIAโJulianโs Auctions recent street art sale brought together an amazing collection of Banksy artworks. The auction which realized more than $1.3 million in the sale also included artworks by other important street artists and contemporary art. Included in the street art and contemporary art auction were works by Shepard Fairey, RETNA, Damien Hirst, Alec Monopoly, KAI, DOC, Gregory Siff, Ben Eine, Rene Gagnon, Zevs, D*Face, Faile, Kaws, Ludo, Dolk, Saber, Nick Walker, and Mar.

Although works by many of the street artists made a significant impact at the auction, Banksy artworks put collectors on the edge of their seats at the auction. One of his artworks that captivated collectors was Happy Coopers. The 2002 aerosol stencil depicts a squadron of choppers in a tactical attack formation. On the lead chopper is a pink bow. The work borders on the interplay of femininity and masculinity. A bundle of contradictions, the artwork questions the motive of the helicopters in a way that plays on both sides of war and peace. The artwork was created on the board originally used to prevent the public from accessing a construction site in London at the Whitecross Street Market in 2002. It sold for $140,800.






LONDON, ENGLAND— Street Life in London, a book by the radical socialist journalist Adolphe Smith and photographs John Thomas, captures poverty in the streets of London. Filled with thought-provoking articles and photographs, the book published in 1876-7, reveals a history that has not been at the forefront of contemporary discussions.It includes stimulating articles by Smith and Thomasโs realistic documentary images. Thomasโs photographs illuminate the lives of men and women who struggle to eke out a living on the streets of London in dirty environments.
Thomas was a talented and influential photographer that had traveled across the Far East for ten years taking photographs. His images for the books are very candid and thought-provoking. They captured disheveled and dejected Londoners, who were hanging on hope.
Smith and Thomson were not the first people to focus on poverty in the 19th century. The second half of the 19th century saw a great interest in urban poverty and the social consequences of poverty. People were not only concerned about poverty but its impact on society. However, what gave Street Life in London credence over other investigations is the authenticity of the Thomas documentary photographs and the poignant essay by Smith
An important project, Street Life in London was not just a study on the social implication of poverty, but also a great example of social and documentary photography. The project paved the path for other documentary photographers to follow as they address social issues through documentary photography. Jacob Riis and Lewis Hine are two of the photographers influenced by Thomas’s socially concerned documentary photography.





The awesome Golden Gate Bridge
People Are Awesome | VIMEO
Nothing ventured, nothing gained. That is the best way to describe the dangerous maneuvers of some for the people in this video. From jumping from roofs tops to making daring rides on skateboards, the achievements are amazing and terrifying at the same time. In one section of the video, a man jumps from one roof to another without any support. The awesome act left the people watching in awe. Several portions of the video are dedicated to footballers doing awesome maneuvers as they make touchdowns. These are just fearless people doing amazing things. This is obviously this is not for everyone. If you are not bold or do not have the courage to engage in such dangerous act, it is better not to engage in such acts. Some of the maneuvers are so dangerous that you need adequate training to perform them. In one section of the video, a man jumped over a car and in another, a bicker did a triple jump over an obstacle.
Jean-Michel Basquiat, Untitled (ELMAR) 1982. Photo: Jean Bourbon. Courtesy Phillips
BY SEAN LEYWES
NEW YORK-NY.,-Jean-Michel Basquiat’s Untitled (ELMAR) stands as a monumental testament to the artist’s prowess, a significant piece from his 1982 collection. This masterpiece, currently in the collection of anthropologist Francesco Pellizzi, will go on auction at the Phillips Auction House in New York. It has an estimated value ranging from $40 to $60 million.
Untitled (ELMAR) is a sprawling canvas, nearly eight feet wide, showcasing Basquiat’s unique artistic vision. Rich in symbolism and self-referential imagery, the painting depicts a modern-day Icarus on the brink of descent. He is targeted by an archer releasing two arrows toward him.
One side of the canvas features a figure reminiscent of a “fallen angel,” with a bird-like shape and a crown of thorns. It symbolizes both a halo and vulnerability. This celestial figure hovers over a vibrant expanse of scribbled waves, resembling a luminous blue sea. The text “ELMAR” grounds the scene, suggesting a narrative akin to the mythical story of Icarus.
In contrast, on the opposite side of the canvas, a radiant archer takes aim, also crowned like his celestial counterpart, shooting two arrows with clear intent. This contrast of the divine and the earthly, the spiritual and the grounded, reveals Basquiat’s exploration of duality within his own persona.
Untitled (ELMAR) has a rich history, having appeared in significant exhibitions. It was in a 1989 exhibition on Pellizzi’s collection at the Hofstra Museum in New York. The painting was also in a commemorative exhibition marking the 10th anniversary of Basquiat’s passing at Gagosian Los Angeles in 1998. Furthermore, it was part of the artist’s retrospective at the Fondation Louis Vuitton in Paris in 2018.
With an estimated value of $40 to $60 million, Untitled (ELMAR) is a testament to Basquiat’s creative zenith. This masterpiece will no doubt captivate collectors and enthusiasts alike at the auction. It will also reaffirm Basquiat’s legacy as one of the most influential artists of the 20th century.
I donโt listen to what art critics say. I donโt know anybody who needs a critic to find out what art is.
Jean-Michel Basquiat
This beautiful landscape photograph is one of the stunning photographs of the Forbidden Kingdom of Lo series by Stanislav Petera
BY SEAN LEYWES

Deep in the heart of the Nepalese Himalayas is an isolated region now known as Lo Mustang. Formerly known as the Kingdom of Lo, the region is located in a valley just 20km south of the Tibetan border in Northern Nepal, in the area known as Upper Mustang. There are five districts in Upper Mustang, and Lo Mustang is the most northern.
For more than forty decades, the region was protected from outside intrusion as a way of preserving the culture of the region. Only a few people were allowed into the region until 1992, when it opened up to foreigners. Since the region opened to outsiders, it has been a major destination for tourists and photographers from across the globe. One of the photographers who has spent time in Mustang is Stanislav Petera, a young fashion and advertising photographer from the Czech Republic. His stunning photographs of the Kingdom of Lo are captivating.
Photographing the Kingdom of Lo had been a long-time desire for Stanislav Petera. Watching movies like Samsara, Himalaya, and Kundun, and his interest in stories of Tibetan mystics were, major sources of inspiration for the photographer. Not surprisingly, Petera did not hesitate to seize the opportunity to go and photograph in Lo Mustang as soon as he got the chance. He titled his photography project The Forbidden Kingdom of Lo.
To get to the kingdom of Lo Manthang in northern Nepal, Petera traveled for five days in a jeep on roads that werenโt really roads. With him was his friend, who also served as his assistant and camera operator. The air was so thin that “we couldnโt really breathe, and there were villages that looked like they were from ages long gone.” he recalls. He adds, “There are cows roaming narrow pathways and no internet connection whatsoever.”
A major fascination for many who visit Mustang is the mystery that surrounds its history. So it was for Petera, who spent years researching and preparing for the trip. Expectedly, the photographs from his visit focus on the beautiful monasteries where monks pray every day. Each photograph articulates his intense desire and the cumulating result of his search “for the Forbidden Kingdom of Lo and its mysterious inhabitants.”
Taking photographs in Lo was challenging because of the limit of the permit:
“We only had two days on locations to shoot, then we had to head back because our permit for restricted area expired. The greatest single challenge there was to negotiate with the head of the local monastery. We needed access to temples and monasteries that aren’t open to the public and local monks as models. We succeeded.”
“[A]ll my images are created using a combination of natural light (usually just after sunset) and small strobes with orange gels. There were also candles on some of the photos and plenty of smoke from burning incense everywhere.”
Getting access to the monastery was just the first step. Taking the images needed some innovation and creativity. Since Petera could only take a very minimal setup with him, he had to make do with what he had. “[A]ll my images are created using a combination of natural light (usually just after sunset) and small strobes with orange gels. There were also candles on some of the photos and plenty of smoke from burning incense everywhere.”

Petera’s stunning photographs of the Kingdom of Lo are captivating. The Kingdom of Lo is no doubt a place of mystery. The isolation of Mustang from outside influences for decades has helped protect the culture and traditions of the area. The majority of the population still speaks traditional Tibetan languages and still worships, as they have for decades.
Buddhism is still the major religion in Lo Mustang, and monasteries, also known as Gompas, continue to serve as important places of worship. Many monks in Lo Mustang use these monasteries for meditation, prayer, and spiritual cleansing. Of all the monasteries, five stand out for many visitors to this walled city of Lo Mustang. The five famous Lo Mustang monasteries are Dragkar-Thegchen Lina Gompa, Chode Gompa, the Monastic Museum, Jampa Monastery, and Thupchen Gompa. These famous monasteries, beyond serving as religious centers, are also museums visitors can explore to learn about this mysterious city.
Mustang has remained unchanged for decades. Its rich and flourishing history is everywhere. The magnificent monasteries, palaces, massive sand domes, and traditional architecture are visible all around the region. Even the traditional system of governance continues to flourish in the face of current outside interventions.

Despite the unchanging environment and absence of modern city life, the people are happy, content, and satisfied. Petera’s photographs capture the joy that is inherent in Lo Mustang. Some of the photographs show monks praying at their monasteries. There is devotion and joy.
Petera’s photographs are beautiful and enchanting. Each one reflects his trademark magical atmosphere. Using a unique post-production process and extensive styling, Petera achieves dramatic atmospherics that plays on sharp contrasts. There is a dramatic finish to each image in a way that brings attention to the Dutch masters’ tenebrism.
An innovative and creative photographer, Petera rose through the ranks of young fashion and advertising photographers in the Czech Republic to become the one to watch. His signature trademark of magical atmospheres sets him out among his peers.
In spite of his achievements in the Czech Republic working with fashion magazines, Petra has been unrelenting in his desire to keep improving. His work has appeared in magazines like Harper’s Bazaar, Elle, Dolce Vita, and others. After making a name for himself at home, Petera went to Paris, where he improved his craft. While there, he worked with some of the best fashion photographers in the business.
Today, Petra splits his time between Paris and Prague, shooting fashion for prestigious international magazines. You can see more of his works on Behance and on his website.
The Forbidden Kingdom of Lo. Behind the Scenes Video. Video: Stanislav Petera
A young artist contemplates her creative career and how to choose the right art school
Wondering how to choose the right art school? Our guide covers essential factors such as location, faculty, programs, and financial aid to help you decide.
BY SEAN LEYWES, CRITIXSPACE
Selecting the perfect art school can be overwhelming, but it doesnโt have to be. By narrowing your focus and keeping a few essential factors in mind, you can make a more informed decision. This guide will help you navigate through the process and find the best institution to nurture your artistic talent.
Before diving into art school options, itโs important to understand your artistic aspirations. What area of art are you passionate about? Do you want to focus on traditional techniques or digital art? Identifying your interests will help you determine which schools specialize in those areas. Whether it’s painting, sculpture, graphic design, or animation, knowing your niche is crucial.
The reputation of an art school can significantly impact your career. Look for schools that have produced successful alumni and have a strong network within the art industry. You can check rankings, reviews, and feedback from former students to gauge a schoolโs reputation. A well-known art institution can open doors to internships and job opportunities, giving you a competitive edge.
Every art school offers a unique curriculum, and it’s essential to ensure that the schoolโs programs align with your career goals. Some institutions may offer more general art education, while others focus on specialized fields like fashion design, game art, or illustration. Check the courses offered, the faculty’s expertise, and the opportunities for hands-on practice. A curriculum that offers a mix of theory and practical experience will better prepare you for the professional world.
Location is a key consideration when choosing an art school. Think about whether you want to study in a bustling city filled with cultural opportunities or a quieter area with a more focused academic environment. Additionally, evaluate the campus facilities. Are the studios, equipment, and resources up to date? A well-equipped campus can enhance your learning experience and provide you with the tools you need to succeed.
Art school can be expensive, so itโs essential to consider the cost of tuition and living expenses. Investigate the financial aid options available, such as scholarships, grants, and student loans. Many art schools offer financial assistance based on merit or need, so be sure to apply for these opportunities. Understanding the cost and available financial aid can help you make an affordable decision.
Internships are crucial in the art industry, providing real-world experience that can set you apart in the job market. Check if the art school has partnerships with galleries, studios, or companies that offer internships to students. A school with strong industry connections will help you find opportunities to work with professionals in your field. Career support services, such as job placement assistance and networking events, can also be invaluable after graduation.
Class size plays a vital role in your educational experience. Smaller class sizes often mean more one-on-one attention from instructors and a more personalized learning environment. The student-to-faculty ratio is another factor to consider. A lower ratio ensures that faculty can give you the guidance you need to refine your skills. Research the average class size for your chosen programs to ensure that it fits your learning style.
If you are still unsure how to choose the right art school, the next step is to visit the campus. If possible, visit the campuses of the schools you’re considering. A campus visit will give you a feel for the atmosphere and help you visualize yourself there. Speak with current students and faculty to get a sense of the community and teaching methods. Asking questions about their experiences can provide valuable insight into what life at the school is really like.
Accreditation is an important factor when selecting an art school. An accredited institution meets specific educational standards, which ensures the quality of your education. Additionally, attending an accredited school is often required for eligibility for financial aid and student loans. Always verify that the school is properly accredited by a recognized body.
A strong alumni network can be a valuable asset for your career after graduation. Many art schools provide networking events and keep alumni connected through various platforms. By joining a school with a robust alumni network, you gain access to potential job opportunities and advice from professionals who have been through the same program.
Choosing the right art school is an exciting but challenging decision. By considering factors such as your artistic goals, school reputation, curriculum, and financial aid options, you can make a more informed choice. Don’t forget to visit campuses, talk to students, and evaluate the support services offered by each institution. Taking the time to research and weigh your options will ensure that you select the best art school to kickstart your creative career.
Anastassia Zamaraeva, Dinnies (Hungry and ready to eat.) 2022, one of the surreal ceramics and sculptures by Anastassia Zamaraeva. Photo: Artist
BY KAZEEM ADELEKE
My first introduction to Anastassia Zamaraeva’s artwork occurred on Instagram. The initial piece that caught my eye was a white sculpture depicting a woman seated on the floor, her hands and legs folded, head bowed in what seemed like resignation or demoralization. Clutched in her hand is a black glob. Before even glancing at the title of the piece, I found myself pondering its significance. “What does the clump represent?” I wondered. “Is it symbolic of the woman’s pain? Why does she seem passive, not attempting to contain the glob that appears to be oozing uncontrollably?”
This is the essence of Zamaraeva’s artistry. Her surreal ceramics and sculptures prompt viewers to delve into their own experiences and seek meaning. The sculpture, titled The Thing I Can’t Contain (2022), invites contemplation about how we handle things beyond our control. Do we resign ourselves, like the sculpture, and allow problems (glob) to overwhelm us?
Delving into the pain depicted in the white sculpture becomes even more poignant when the artist’s context is revealed. Zamaraeva added to the title, “A rumination on my experience with endometriosis.” According to the World Health Organization (WHO), endometriosis is a condition where tissue similar to the lining of the uterus grows outside the uterus, causing severe pelvic pain and fertility issues.
The Thing I Can’t Contain is just one of the sculptures through which the artist explores the human experience. Another notable piece is Dinnies (2022), featuring a nude figure hunched over an empty plate, fork, and knife in hand, with purple rings around her eyes suggesting starvation. The viewer is left to speculate about the woman’s story, but her hunger is unmistakable. As Zamaraeva states, “Hungry and ready to eat.” Yet, the absence of food raises questions.
Surrender (2022) is another piece that reflects the artist’s journey. It depicts a woman crouched over, seemingly in supplication or surrender. The sculpture embodies a powerful acceptance of life’s challenges. Zamaraeva explains, “I made this piece when a lot of things had been feeling difficult. At that point, I’d come to realize that much of the difficulty was my own resistance and expectation that things should be easier. So this piece is the opposite of that resistance. It’s surrender. Accepting the challenging things as an intrinsic part of life and riding the waves.”
In I Dream of Teeth (2022), Zamaraeva’s ceramic sculpture portrays a woman with her head bent, and a hole in her stomach from which teeth are falling out. This piece explores how real-life experiences translate into dreams. Zamaraeva shares, “I had a laparoscopic surgery where an incision was made through my belly button. For a year, I continued to have issues with the incision site. One night I dreamed that I pulled a horse tooth out of my belly button and that it resolved the problem. This piece is an exploration of that dream and the real experience.”
Zamaraeva’s ceramic sculptures, while surreal, poignantly communicate themes of myth, love, life, the environment, and death. Her series on slugs is particularly intriguing, born out of her struggle working with porcelain. When the medium limited her to creating sausage shapes, she innovated by adding antennae, transforming them into slugs that touch upon our “shadow aspects” and evoke strong emotional responses.
Her artistic process begins with sketching out ideas before bringing them to life in three dimensions using grog, a type of clay that gives her pieces a coarser texture and resilience against cracks. This choice of medium allows her to create a diverse range of subjects, from human figures and body parts to trees, plants, and mollusks.
A UK-based ceramic artist, Anastassia Zamaraeva, discovered her passion for clay at a young age in Canada. Although she initially pursued a BA in Architecture and worked in the field, her love for ceramics remained steadfast. In 2018, she decided to return to ceramics, completing an MA in Art Psychotherapy, which has profoundly influenced her work. Her art now melds art and therapy, exploring the complexities of human existence with themes of melancholy, discomfort, and humor.
Her work has been featured in prestigious exhibitions, including the Winter Exhibition at Thrown Contemporary Online and the London Potters Members Exhibition at Morley Gallery in London in 2023, as well as “Uncommon Beauty: Objects of Curiosity and Wonder” at Craft in the Bay in Cardiff. Most recently, her ceramic sculptures were displayed at the Open Wide III exhibition at Open 205 in Deptford, London. In April, she will be showcasing her pieces in the group exhibition “Festoon” at Underbank Studios in Stockport, England.
Anastassia Zamaraeva’s artistic journey is one of passion, dedication, and evolution. Her unique approach to ceramics, influenced by her background in architecture and art therapy, sets her apart in the world of contemporary art. Through her work, she invites us to explore our own experiences and emotions, making her a truly remarkable artist. You can see more of the artist’s work on her website and Instagram.





Explore the benefits of studying fine arts and why art education enhances personal growth, mental well-being, and professional success.
BY SEAN LEYWES
The fine arts encompass a diverse range of creative disciplines, including painting, sculpture, dance, theater, literature, and music. For centuries, people have turned to the arts not only as a form of expression but also as a pathway to deeper understanding, personal fulfillment, and professional success.
Today, the benefits of studying fine arts extend far beyond the classroom or studio. From strengthening creativity and communication skills to supporting mental health and expanding career opportunities, fine arts education plays a vital role in modern society. Whether pursued as a degree, a lifelong passion, or a creative outlet, studying fine arts nurtures skills that are essential in both personal and professional life.
In this article, we explore the most significant benefits of studying fine arts and why art education remains an indispensable part of a well-rounded and meaningful life.
One of the most notable benefits of studying fine arts is its ability to boost creativity. When engaging in creative activities like painting or music composition, individuals imbibe new experiences. They learn how to approach problems from multiple angles and think innovatively. The process of creating something new requires innovative thinking, enabling individuals to find solutions in unique ways.
The fine arts emphasize experimentation and personal interpretation, allowing individuals to develop their own creative processes. This unique characteristic engenders a mindset where failure is part of the creative journey. Such an environment nurtures critical thinking skills that are applicable in any career or life situation. In fact, studies have shown that individuals with artistic training are more likely to think flexibly and adapt to changing situations.
Art has the profound ability to convey deep emotions, making it an excellent way to develop emotional intelligence. By engaging in artistic endeavors, whether itโs painting, performing, or writing, individuals are able to express their emotions in a constructive manner. This process leads to a greater understanding of oneself and a deeper emotional connection with others.
Fine arts also allow students to connect with different cultures and perspectives, cultivating empathy. The stories told through art, literature, or theater often depict experiences of people from various walks of life. By studying fine arts, individuals can develop a broader and more compassionate worldview. This is crucial in todayโs diverse, interconnected society.
The study of fine arts helps individuals improve their communication skills, particularly when it comes to non-verbal expression. Artists learn to convey complex emotions, ideas, and narratives through visual, auditory, and physical means. This enhances their ability to communicate effectively, whether they are presenting their work to an audience or participating in group collaborations.
In theater, performers learn how to convey emotions through body language, facial expressions, and voice. In the visual arts, artists communicate through color, shape, and form. These skills translate to stronger communication abilities in professional and personal environments.
Fine arts education teaches students self-discipline, as it often requires hours of practice, focus, and perseverance. Whether learning to play an instrument, mastering a dance routine, or developing painting techniques, the commitment needed to refine skills builds an individualโs work ethic.
As students see their progress over time, their confidence grows. Completing a challenging project or performing successfully in front of an audience brings a deep sense of accomplishment. The dedication and resilience cultivated through the fine arts can inspire individuals to pursue excellence in all areas of life, both personally and professionally.
Engaging in creative activities is a powerful tool for mental health and emotional well-being. The process of creating art can serve as a form of therapy, offering a healthy outlet for expressing emotions and processing stress. For many, art provides a sense of escape and relaxation from daily pressures.
Studies have shown that creating or experiencing art can lead to a reduction in anxiety, depression, and other mental health issues. It allows individuals to express their thoughts and emotions in a non-verbal way, which can often be more effective than traditional forms of communication.
Incorporating the fine arts into daily life can also cultivate a sense of mindfulness and focus. Whether itโs playing an instrument or painting, the act of creating requires full attention, which helps individuals stay present in the moment and reduce the effects of stress.
While many people associate fine arts with purely creative careers, the skills gained through the study of the arts are incredibly versatile and can lead to opportunities in various fields. Artists are often highly sought after in industries such as graphic design, advertising, film production, architecture, and even technology.
Fine arts graduates can also pursue careers as curators, art educators, performing artists, writers, and more. Moreover, the creative problem-solving, project management, and communication skills developed through the arts are highly valued in many business settings. As organizations increasingly seek out innovative thinkers, the benefits of a fine arts education become even more apparent.
Studying the fine arts introduces individuals to a rich array of cultural traditions, artistic movements, and historical contexts. This exposure fosters a deep appreciation for cultural diversity and encourages individuals to explore various artistic forms from around the world.
By studying art history, literature, music, and theater from multiple regions, students gain insights into many cultures, belief systems, and historical periods. This understanding not only enriches their knowledge but also promotes global awareness and respect for othersโ traditions.
While the arts are often associated with personal expression, they also provide valuable opportunities for collaboration and teamwork. In fields like theater, dance, and music, artists must work closely with others to achieve a common goal, whether itโs putting on a performance or creating a group project.
Through these collaborative experiences, individuals learn to respect othersโ ideas, communicate effectively, and share responsibilities. Teamwork in the arts improves a sense of community and shared purpose, which can be beneficial both in professional settings and personal relationships.
The fine arts provide endless opportunities for exploration and personal growth. As techniques, technologies, and artistic movements evolve, artists are constantly challenged to expand their knowledge and skills. This dedication to lifelong learning encourages individuals to embrace new ideas, experiment with different media, and grow in unexpected ways.
Engaging with the fine arts also allows individuals to continually reinvent themselves. Each project or performance presents new challenges, providing ample opportunities for self-improvement and personal development.
Fine arts education connects individuals with the rich history of human expression. Whether through the study of classic literature, the observation of ancient sculpture, or the appreciation of Baroque music, students develop a deeper understanding of the cultural and historical context that shaped these works. This sense of tradition fosters respect for the past and enhances an individualโs ability to engage with the present and bright future.
The benefits of studying fine arts are numerous, addressing nearly every aspect of personal and professional life. From enhancing creativity and communication skills to fostering emotional intelligence, cultural awareness, and career opportunities, the fine arts provide a rich foundation for growth.
By committing to the study of fine arts, individuals enrich their lives and contribute to the cultural fabric of society.
An oil on board painting titled The Flight by Yusuf Grillo, one of Nigeria’s foremost artists sold for ยฃ62,500 (US$ 82,213) inc. premium. Image: Bonhams Auctions
BY SEAN LEYWES
LONDON- The Flight, oil on board by Yusuf Adebayo Cameron Grillo was sold in 2014 at Bonhams Auctions African Now sale. The painting is an important example of the artist’s work. A major influence for Grillo’s works is Nigerian landscapes and the Yoruba people. His painting reveals the experiences of the people around him.
The Flight depicts a young family in native Yoruba dress, seated on a bicycle. While the man pedals the bicycle, the woman sitting on the bicycle bar gingerly cradles a baby.
Grillo started the painting during the Civil War, a painful period in Nigeria’s history. There was so much killing and maiming during the war. That war inspired The Flight.
The sight of people rushing to escape the Nigerian Civil War was in Grillo’s psych. He likened the forced migration to the flight of the Holy Family from Israel to Egypt. To emphasize that relationship, Grillo included a saw with the couple’s baggage. The saw is a symbol of Joseph’s profession as a carpenter
Done in the scheme of blue, The Flight was done in the style the artist is now well-known for. The elongated figures of the man and woman enhance the urgency to ride away as fast as possible. It brings forth their humanity. Grillo’s deviation from photographic realism rekindles his devotion to the notion of African aesthetics.
Yusuf Grillo is one of the most influential Nigerian artists. Born in 1934 in the Brazilian Quarter of Lagos, he studied art at the Ahmadu Bello University, Zaria. After his study in Nigeria, he traveled to the United Kingdom to further his studies.
An artist dedicated to the education of the younger generation, Professor Grillo as he is fondly called, went on to become the Head of Art and Printing at Yaba College of Technology. He retained in that post for over twenty-five years.
While at the head of the Yaba art school, Grillo was also practicing as an artist. He did some important work and received many commissions. His mosaics and stained glass now adorn many churches, universities, and government buildings across Nigeria. About five years ago Professor Grillo won a commission for the Murtala Mohammed International Airport.
In 1958, Grillo with other students at the Ahamadu Bello University, founded the Zaria School. Set up a year before Nigeria’s independence, the group’s mission was to protest the teaching of dominantly Western artistic traditions at the school. The group advocated for a ‘national style’, an aesthetic that combines Western artistic traditions with African traditions. For their success in fostering a change, the group became known as the Zaria Rebels.
Jackson Pollock’s Number 10, 1949 (detail), 1949, is one of the paintings examining modern art history at the Museum of Fine Arts, Boston. ยฉ 2011 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York.

BOSTON โ Five installations focused on the forerunner of Modern art in the 20th century are the major attractions at the Museum of Fine Arts, Boston (MFA). Titled Making Modern in the 20th century, the installations represent moments in the evolution of Modern Art in North America. They follow the progression of modern art from Mexico City to New York and Boston.
The installations investigate the development of modern art and modern artists in the Americas. On display are works by Frida Kahlo, Jackson Pollock, Georgia O’Keeffe, Max Beckmann, Karl Zerbe Pablo Picasso and several other important artists of the 20th century.
Many of the artists whose works are on display drew influences from different sources, including contemporaries, teachers, rivals, and friends. The cross-fertilization of ideas inspired the 20th-century painters who evolved in their artistic practice.
One of the installations is titled Kahlo and Her Circle: A Close Look at Frida Kahloโs Dos Mujeres, and her Circle of Family and Friends. It examines how Kahlo and her friends in Mexico City impacted modern art. Another installation is titled Pollock/Picasso: The Artistic Dialogue of Two Titans of Modern Art. The installation brings together works by these famous artists of modern art history. The installation reveals how Picasso laid the foundation for Modern art, and how Pollock extended it.

The Lane Collection: Georgia O’Keeffe, Charles Sheeler, Dove located in the central gallery provides insight into five friends in art. Georgia O’Keeffe, Charles Sheeler, Arthur Dove, Marsden Hartley, and Stuart Davis can be described as a gang of five. From the photographer Alfred Stieglitz’s circle, the artists influenced and inspired each other. The influences are obvious in their works on display.
Beckmann in America examines the impact of Max Beckmann and Karl Zerbe on the development of modern art in America. Max Beckmann and Karl Zerbe immigrated to the United States during Hitler’s reign of terror. Max Beckmann and Karl Zerbe had a great impact on Boston Expressionists. Zerbe and their students, including David Aaronson, went on to establish the Fine Art Department at Boston University.

In the Melvin Blake and Frank Purnell gallery is Hofmann and the Next Generation. The installation examines the impact of education on mid-century abstract artists. On display are works by Franz Kline, Robert Motherwell, Helen Frankenthaler, David Smith, David Smith, and Peter Voulkos.

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